I would just sort of pick it up every now and then, and eventually learned how to play “A Horse With No Name” by America.īut the big push happened when I was in seventh grade. He showed me a couple of things, and I was like, “This is kind of fun,” you know? Something to do, like when you can’t skateboard. Sheldon played guitar, and he gave my dad his old one because my dad wanted to play Bob Dylan songs. My parents had just got divorced and my dad had a friend named Sheldon who was staying on the couch.
GUITAR RIG PRESETS SHOEGAZE PLUS
Read through for an in-depth exploration of Deafheaven’s origins and what influences Kerry’s guitar sound, plus watch this exclusive video of Kerry demonstrating his signature GUITAR RIG 6 presets at the Gibson Showroom in Hollywood, California.
We sat down with Deafheaven guitarist and founding member Kerry McCoy to talk about his early influences and the band’s synergistic approach to songwriting. One need look no further than the band’s latest release – the monumentally atmospheric and relentlessly dynamic Infinite Granite – to witness the colossal and untamed beauty that’s possible in a post-genre world. Over the last decade, the band has churned out five albums of bewilderingly cathartic music, a crushingly heavy amalgam of beauty and ferocity that largely defies categorization. Within months of playing their first show, Deafheaven had landed a record deal with legendary indie Deathwish, Inc., who quickly released their debut studio album to critical acclaim from Pitchfork, Decibel, and NPR. But the group’s potent blend of crushingly heavy riffs and ethereal melodies (dubbed “blackgaze” for its melding of black metal and shoegaze sounds) was still largely unknown in America, and the subsequent response was both immediate and profound.
You can get some very cool results by experimenting with wavetables nad inserts you do not commonly use when running sound through a program like Guitar Rig.Deafheaven first broke on the San Francisco scene in 2010 with little more than an untitled demo tape recorded on borrowed equipment and an acoustic guitar. To make this sound your own, you should play around with various amp models, types of distortion, different reverbs and of course, parameters within NI Massive as well. It’s all fine tuning to personal taste for your specific project needs from here on out. This is where the real guitar sound erupts. And after this the sound is sent into Guitar Rig for some amp modeling and additional distortion. Some chorus is added to widen it up a bit and add a slight amount of movement.įrom here, some compression and EQ is applied in the DAW, in this case he is using FruityLoops Studio. A classic tube amp is added for a little distortion and added boost. The voicing of this synth is set up as a monophonic running in monorotate mode with a legato triller trigger, which allows for gliding and swapping between notes selected. You can use any of the controllers within Massive to achieve some cool effects like this. In the end, the LFO is swapped out for a Performer, but really this is a personal taste thing. This same LFO is then used to modulate the cutoff of the Scream filter the the sound is sent through. The wavetable position of this main oscillator is then modulated with an LFO running a bending waveform/curve. This sound begins with a wavetable within NI Massive that has become a topic of much conversation because of the widespread use of it while people try to recreate some popular talking bass and other dubstep style formant synths, the now infamous Modern Talking. It means a lot to show your support and appreciation. If you enjoy what he’s doing, please take a moment to visit his links and see what he’s up to. Designing these types of sounds is not only a good showing of your understanding of a synth like Massive, but a great challenge and a lot of fun! YouTube user RaydenLGX has taken a lot of time to get this process worked down to a worthwhile and highly rewarding method, and has very kindly shared it with the rest of us.
It is a very good example of how to creatively use NI Massive and a program like Guitar Rig together to achieve sounds that many would consider impossible without the use of some kind of guitar during the process. An interesting look at the behinds the scenes process of creating an amazing synthesized electric guitar using NI Massive and Guitar Rig inside of FL Studio.īefore you get started on following along with this video, I would recommend watching it all the way through one time.